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e had set about deceiving himself otherwise. He admitted everything. There is a way of encountering error while on one's way to the truth. He had a violent sort of good faith which took everything in the lump. In the new path which he had entered on, in judging the mistakes of the old regime, as in measuring the glory of Napoleon, he neglected the attenuating circumstances. At all events, a tremendous step had been taken. Where he had formerly beheld the fall of the monarchy, he now saw the advent of France. His orientation had changed. What had been his East became the West. He had turned squarely round. All these revolutions were accomplished within him, without his family obtaining an inkling of the case. When, during this mysterious labor, he had entirely shed his old Bourbon and ultra skin, when he had cast off the aristocrat, the Jacobite and the Royalist, when he had become thoroughly a revolutionist, profoundly democratic and republican, he went to an engraver on the Quai des Orfevres and ordered a hundred cards bearing this name: Le Baron Marius Pontmercy. This was only the strictly logical consequence of the change which had taken place in him, a change in which everything gravitated round his father. Only, as he did not know any one and could not sow his cards with any porter, he put them in his pocket. By another natural consequence, in proportion as he drew nearer to his father, to the latter's memory, and to the things for which the colonel had fought five and twenty years before, he receded from his grandfather. We have long ago said, that M. Gillenormand's temper did not please him. There already existed between them all the dissonances of the grave young man and the frivolous old man. The gayety of Geronte shocks and exasperates the melancholy of Werther. So long as the same political opinions and the same ideas had been common to them both, Marius had met M. Gillenormand there as on a bridge. When the bridge fell, an abyss was formed. And then, over and above all, Marius experienced unutterable impulses to revolt, when he reflected that it was M. Gillenormand who had, from stupid motives, torn him ruthlessly from the colonel, thus depriving the father of the child, and the child of the father. By dint of pity for his father, Marius had nearly arrived at aversion for his grandfather. Nothing of this sort, however, was betrayed on the exterior, as we have already said. Only he grew colder and colder; laconic at meals, and rare in the house. When his aunt scolded him for it, he was very gentle and alleged his studies, his lectures, the examinations, etc., as a pretext. His grandfather never departed from his infallible diagnosis: "In love! I know all about it." From time to time Marius absented himself. "Where is it that he goes off like this?" said his aunt. On one of these trips, which were always very brief, he went to Montfermeil, in order to obey the injunction which his father had left him, and he sought the old sergeant to Waterloo, the inn-keeper Thenardier. Thenardier had failed, the inn was closed, and no one knew what had become of him. Marius was away from the house for four days on this quest. "He is getting decidedly wild," said his grandfather. They thought they had noticed that he wore something on his breast, under his shirt, which was attached to his neck by a black ribbon. CHAPTER VII--SOME PETTICOAT We have mentioned a lancer. He was a great-grand-nephew of M. Gillenormand, on the paternal side, who led a garrison life, outside the family and far from the domestic hearth. Lieutenant Theodule Gillenormand fulfilled all the conditions required to make what is called a fine officer. He had "a lady's waist," a victorious manner of trailing his sword and of twirling his mustache in a hook. He visited Paris very rarely, and so rarely that Marius had never seen him. The cousins knew each other only by name. We think we have said that Theodule was the favorite of Aunt Gillenormand, who preferred him because she did not see him. Not seeing people permits one to attribute to them all possible perfections. One morning, Mademoiselle Gillenormand the elder returned to her apartment as much disturbed as her placidity was capable of allowing. Marius had just asked his grandfather's permission to take a little trip, adding that he meant to set out that very evening. "Go!" had been his grandfather's reply, and M. Gillenormand had added in an aside, as he raised his eyebrows to the top of his forehead: "Here he is passing the night out again." Mademoiselle Gillenormand had ascended to her chamber greatly puzzled, and on the staircase had dropped this exclamation: "This is too much!"--and this interrogation: "But where is it that he goes?" She espied some adventure of the heart, more or less illicit, a woman in the shadow, a rendezvous, a mystery, and she would not have been sorry to thrust her spectacles into the affair. Tasting a mystery resembles getting the first flavor of a scandal; sainted souls do not detest this. There is some curiosity about scandal in the secret compartments of bigotry. So she was the prey of a vague appetite for learning a history. In order to get rid of this curiosity which agitated her a little beyond her wont, she took refuge in her talents, and set about scalloping, with one layer of cotton after another, one of those embroideries of the Empire and the Restoration, in which there are numerous cart-wheels. The work was clumsy, the worker cross. She had been seated at this for several hours when the door opened. Mademoiselle Gillenormand raised her nose. Lieutenant Theodule stood before her, making the regulation salute. She uttered a cry of delight. One may be old, one may be a prude, one may be pious, one may be an aunt, but it is always agreeable to see a lancer enter one's chamber. "You here, Theodule!" she exclaimed. "On my way through town, aunt." "Embrace me." "Here goes!" said Theodule. And he kissed her. Aunt Gillenormand went to her writing-desk and opened it. "You will remain with us a week at least?" "I leave this very evening, aunt." "It is not possible!" "Mathematically!" "Remain, my little Theodule, I beseech you." "My heart says 'yes,' but my orders say 'no.' The matter is simple. They are changing our garrison; we have been at Melun, we are being transferred to Gaillon. It is necessary to pass through Paris in order to get from the old post to the new one. I said: 'I am going to see my aunt.'" "Here is something for your trouble." And she put ten louis into his hand. "For my pleasure, you mean to say, my dear aunt." Theodule kissed her again, and she experienced the joy of having some of the skin scratched from her neck by the braidings on his uniform. "Are you making the journey on horseback, with your regiment?" she asked him. "No, aunt. I wanted to see you. I have special permission. My servant is taking my horse; I am travelling by diligence. And, by the way, I want to ask you something." "What is it?" "Is my cousin Marius Pontmercy travelling so, too?" "How do you know that?" said his aunt, suddenly pricked to the quick with a lively curiosity. "On my arrival, I went to the diligence to engage my seat in the coupe." "Well?" "A traveller had already come to engage a seat in the imperial. I saw his name on the card." "What name?" "Marius Pontmercy." "The wicked fellow!" exclaimed his aunt. "Ah! your cousin is not a steady lad like yourself. To think that he is to pass the night in a diligence!" "Just as I am going to do." "But you--it is your duty; in his case, it is wildness." "Bosh!" said Theodule. Here an event occurred to Mademoiselle Gillenormand the elder,--an idea struck her. If she had been a man, she would have slapped her brow. She apostrophized Theodule:-- "Are you aware whether your cousin knows you?" "No. I have seen him; but he has never deigned to notice me." "So you are going to travel together?" "He in the imperial, I in the coupe." "Where does this diligence run?" "To Andelys." "Then that is where Marius is going?" "Unless, like myself, he should stop on the way. I get down at Vernon, in order to take the branch coach for Gaillon. I know nothing of Marius' plan of travel." "Marius! what an ugly name! what possessed them to name him Marius? While you, at least, are called Theodule." "I would rather be called Alfred," said the officer. "Listen, Theodule." "I am listening, aunt." "Pay attention." "I am paying attention." "You understand?" "Yes." "Well, Marius absents himself!" "Eh! eh!" "He travels." "Ah! ah!" "He spends the night out." "Oh! oh!" "We should like to know what there is behind all this." Theodule replied with the composure of a man of bronze:-- "Some petticoat or other." And with that inward laugh which denotes certainty, he added:-- "A lass." "That is evident," exclaimed his aunt, who thought she heard M. Gillenormand speaking, and who felt her conviction become irresistible at that word fillette, accentuated in almost the very same fashion by the granduncle and the grandnephew. She resumed:-- "Do us a favor. Follow Marius a little. He does not know you, it will be easy. Since a lass there is, try to get a sight of her. You must write us the tale. It will amuse his grandfather." Theodule had no excessive taste for this sort of spying; but he was much touched by the ten louis, and he thought he saw a chance for a possible sequel. He accepted the commission and said: "As you please, aunt." And he added in an aside, to himself: "Here I am a duenna." Mademoiselle Gillenormand embraced him. "You are not the man to play such pranks, Theodule. You obey discipline, you are the slave of orders, you are a man of scruples and duty, and you would not quit your family to go and see a creature." The lancer made the pleased grimace of Cartouche when praised for his probity. Marius, on the evening following this dialogue, mounted the diligence without suspecting that he was watched. As for the watcher, the first thing he did was to fall asleep. His slumber was complete and conscientious. Argus snored all night long. At daybreak, the conductor of the diligence shouted: "Vernon! relay of Vernon! Travellers for Vernon!" And Lieutenant Theodule woke. "Good," he growled, still half asleep, "this is where I get out." Then, as his memory cleared by degrees, the effect of waking, he recalled his aunt, the ten louis, and the account which he had undertaken to render of the deeds and proceedings of Marius. This set him to laughing. "Perhaps he is no longer in the coach," he thought, as he rebuttoned the waistcoat of his undress uniform. "He may have stopped at Poissy; he may have stopped at Triel; if he did not get out at Meulan, he may have got out at Mantes, unless he got out at Rolleboise, or if he did not go on as far as Pacy, with the choice of turning to the left at Evreus, or to the right at Laroche-Guyon. Run after him, aunty. What the devil am I to write to that good old soul?" At that moment a pair of black trousers descending from the imperial, made its appearance at the window of the coupe. "Can that be Marius?" said the lieutenant. It was Marius. A little peasant girl, all entangled with the horses and the postilions at the end of the vehicle, was offering flowers to the travellers. "Give your ladies flowers!" she cried. Marius approached her and purchased the finest flowers in her flat basket. "Come now," said Theodule, leaping down from the coupe, "this piques my curiosity. Who the deuce is he going to carry those flowers to? She must be a splendidly handsome woman for so fine a bouquet. I want to see her." And no longer in pursuance of orders, but from personal curiosity, like dogs who hunt on their own account, he set out to follow Marius. Marius paid no attention to Theodule. Elegant women descended from the diligence; he did not glance at them. He seemed to see nothing around him. "He is pretty deeply in love!" thought Theodule. Marius directed his steps towards the church. "Capital," said Theodule to himself. "Rendezvous seasoned with a bit of mass are the best sort. Nothing is so exquisite as an ogle which passes over the good God's head." On arriving at the church, Marius did not enter it, but skirted the apse. He disappeared behind one of the angles of the apse. "The rendezvous is appointed outside," said Theodule. "Let's have a look at the lass." And he advanced on the tips of his boots towards the corner which Marius had turned. On arriving there, he halted in amazement. Marius, with his forehead clasped in his hands, was kneeling upon the grass on a grave. He had strewn his bouquet there. At the extremity of the grave, on a little swelling which marked the head, there stood a cross of black wood with this name in white letters: COLONEL BARON PONTMERCY. Marius' sobs were audible. The "lass" was a grave. CHAPTER VIII--MARBLE AGAINST GRANITE It was hither that Marius had come on the first occasion of his absenting himself from Paris. It was hither that he had come every time that M. Gillenormand had said: "He is sleeping out." Lieutenant Theodule was absolutely put out of countenance by this unexpected encounter with a sepulchre; he experienced a singular and disagreeable sensation which he was incapable of analyzing, and which was composed of respect for the tomb, mingled with respect for the colonel. He retreated, leaving Marius alone in the cemetery, and there was discipline in this retreat. Death appeared to him with large epaulets, and he almost made the military salute to him. Not knowing what to write to his aunt, he decided not to write at all; and it is probable that nothing would have resulted from the discovery made by Theodule as to the love affairs of Marius, if, by one of those mysterious arrangements which are so frequent in chance, the scene at Vernon had not had an almost immediate counter-shock at Paris. Marius returned from Vernon on the third day, in the middle of the morning, descended at his grandfather's door, and, wearied by the two nights spent in the diligence, and feeling the need of repairing his loss of sleep by an hour at the swimming-school, he mounted rapidly to his chamber, took merely time enough to throw off his travelling-coat, and the black ribbon which he wore round his neck, and went off to the bath. M. Gillenormand, who had risen betimes like all old men in good health, had heard his entrance, and had made haste to climb, as quickly as his old legs permitted, the stairs to the upper story where Marius lived, in order to embrace him, and to question him while so doing, and to find out where he had been. But the youth had taken less time to descend than the old man had to ascend, and when Father Gillenormand entered the attic, Marius was no longer there. The bed had not been disturbed, and on the bed lay, outspread, but not defiantly the great-coat and the black ribbon. "I like this better," said M. Gillenormand. And a moment later, he made his entrance into the salon, where Mademoiselle Gillenormand was already seated, busily embroidering her cart-wheels. The entrance was a triumphant one. M. Gillenormand held in one hand the great-coat, and in the other the neck-ribbon, and exclaimed:-- "Victory! We are about to penetrate the mystery! We are going to learn the most minute details; we are going to lay our finger on the debaucheries of our sly friend! Here we have the romance itself. I have the portrait!" In fact, a case of black shagreen, resembling a medallion portrait, was suspended from the ribbon. The old man took this case and gazed at it for some time without opening it, with that air of enjoyment, rapture, and wrath, with which a poor hungry fellow beholds an admirable dinner which is not for him, pass under his very nose. "For this evidently is a portrait. I know all about such things. That is worn tenderly on the heart. How stupid they are! Some abominable fright that will make us shudder, probably! Young men have such bad taste nowadays!" "Let us see, father," said the old spinster. The case opened by the pressure of a spring. They found in it nothing but a carefully folded paper. "From the same to the same," said M. Gillenormand, bursting with laughter. "I know what it is. A billet-doux." "Ah! let us read it!" said the aunt. And she put on her spectacles. They unfolded the paper and read as follows:-- "For my son.--The Emperor made me a Baron on the battlefield of Waterloo. Since the Restoration disputes my right to this title which I purchased with my blood, my son shall take it and bear it. That he will be worthy of it is a matter of course." The feelings of father and daughter cannot be described. They felt chilled as by the breath of a death's-head. They did not exchange a word. Only, M. Gillenormand said in a low voice and as though speaking to himself:-- "It is the slasher's handwriting." The aunt examined the paper, turned it about in all directions, then put it back in its case. At the same moment a little oblong packet, enveloped in blue paper, fell from one of the pockets of the great-coat. Mademoiselle Gillenormand picked it up and unfolded the blue paper. It contained Marius' hundred cards. She handed one of them to M. Gillenormand, who read: Le Baron Marius Pontmercy. The old man rang the bell. Nicolette came. M. Gillenormand took the ribbon, the case, and the coat, flung them all on the floor in the middle of the room, and said:-- "Carry those duds away." A full hour passed in the most profound silence. The old man and the old spinster had seated themselves with their backs to each other, and were thinking, each on his own account, the same things, in all probability. At the expiration of this hour, Aunt Gillenormand said:--"A pretty state of things!" A few moments later, Marius made his appearance. He entered. Even before he had crossed the threshold, he saw his grandfather holding one of his own cards in his hand, and on catching sight of him, the latter exclaimed with his air of bourgeois and grinning superiority which was something crushing:-- "Well! well! well! well! well! so you are a baron now. I present you my compliments. What is the meaning of this?" Marius reddened slightly and replied:-- "It means that I am the son of my father." M. Gillenormand ceased to laugh, and said harshly:-- "I am your father." "My father," retorted Marius, with downcast eyes and a severe air, "was a humble and heroic man, who served the Republic and France gloriously, who was great in the greatest history that men have ever made, who lived in the bivouac for a quarter of a century, beneath grape-shot and bullets, in snow and mud by day, beneath rain at night, who captured two flags, who received twenty wounds, who died forgotten and abandoned, and who never committed but one mistake, which was to love too fondly two ingrates, his country and myself." This was more than M. Gillenormand could bear to hear. At the word republic, he rose, or, to speak more correctly, he sprang to his feet. Every word that Marius had just uttered produced on the visage of the old Royalist the effect of the puffs of air from a forge upon a blazing brand. From a dull hue he had turned red, from red, purple, and from purple, flame-colored. "Marius!" he cried. "Abominable child! I do not know what your father was! I do not wish to know! I know nothing about that, and I do not know him! But what I do know is, that there never was anything but scoundrels among those men! They were all rascals, assassins, red-caps, thieves! I say all! I say all! I know not one! I say all! Do you hear me, Marius! See here, you are no more a baron than my slipper is! They were all bandits in the service of Robespierre! All who served B-u-o-naparte were brigands! They were all traitors who betrayed, betrayed, betrayed their legitimate king! All cowards who fled before the Prussians and the English at Waterloo! That is what I do know! Whether Monsieur your father comes in that category, I do not know! I am sorry for it, so much the worse, your humble servant!" In his turn, it was Marius who was the firebrand and M. Gillenormand who was the bellows. Marius quivered in every limb, he did not know what would happen next, his brain was on fire. He was the priest who beholds all his sacred wafers cast to the winds, the fakir who beholds a passer-by spit upon his idol. It could not be that such things had been uttered in his presence. What was he to do? His father had just been trampled under foot and stamped upon in his presence, but by whom? By his grandfather. How was he to avenge the one without outraging the other? It was impossible for him to insult his grandfather and it was equally impossible for him to leave his father unavenged. On the one hand was a sacred grave, on the other hoary locks. He stood there for several moments, staggering as though intoxicated, with all this whirlwind dashing through his head; then he raised his eyes, gazed fixedly at his grandfather, and cried in a voice of thunder:-- "Down with the Bourbons, and that great hog of a Louis XVIII.!" Louis XVIII. had been dead for four years; but it was all the same to him. The old man, who had been crimson, turned whiter than his hair. He wheeled round towards a bust of M. le Duc de Berry, which stood on the chimney-piece, and made a profound bow, with a sort of peculiar majesty. Then he paced twice, slowly and in silence, from the fireplace to the window and from the window to the fireplace, traversing the whole length of the room, and making the polished floor creak as though he had been a stone statue walking. On his second turn, he bent over his daughter, who was watching this encounter with the stupefied air of an antiquated lamb, and said to her with a smile that was almost calm: "A baron like this gentleman, and a bourgeois like myself cannot remain under the same roof." And drawing himself up, all at once, pallid, trembling, terrible, with his brow rendered more lofty by the terrible radiance of wrath, he extended his arm towards Marius and shouted to him:-- "Be off!" Marius left the house. On the following day, M. Gillenormand said to his daughter: "You will send sixty pistoles every six months to that blood-drinker, and you will never mention his name to me." Having an immense reserve fund of wrath to get rid of, and not knowing what to do with it, he continued to address his daughter as you instead of thou for the next three months. Marius, on his side, had gone forth in indignation. There was one circumstance which, it must be admitted, aggravated his exasperation. There are always petty fatalities of the sort which complicate domestic dramas. They augment the grievances in such cases, although, in reality, the wrongs are not increased by them. While carrying Marius' "duds" precipitately to his chamber, at his grandfather's command, Nicolette had, inadvertently, let fall, probably, on the attic staircase, which was dark, that medallion of black shagreen which contained the paper penned by the colonel. Neither paper nor case could afterwards be found. Marius was convinced that "Monsieur Gillenormand"--from that day forth he never alluded to him otherwise--had flung "his father's testament" in the fire. He knew by heart the few lines which the colonel had written, and, consequently, nothing was lost. But the paper, the writing, that sacred relic,--all that was his very heart. What had been done with it? Marius had taken his departure without saying whither he was going, and without knowing where, with thirty francs, his watch, and a few clothes in a hand-bag. He had entered a hackney-coach, had engaged it by the hour, and had directed his course at hap-hazard towards the Latin quarter. What was to become of Marius? BOOK FOURTH.--THE FRIENDS OF THE A B C CHAPTER I--A GROUP WHICH BARELY MISSED BECOMING HISTORIC At that epoch, which was, to all appearances indifferent, a certain revolutionary quiver was vaguely current. Breaths which had started forth from the depths of '89 and '93 were in the air. Youth was on the point, may the reader pardon us the word, of moulting. People were undergoing a transformation, almost without being conscious of it, through the movement of the age. The needle which moves round the compass also moves in souls. Each person was taking that step in advance which he was bound to take. The Royalists were becoming liberals, liberals were turning democrats. It was a flood tide complicated with a thousand ebb movements; the peculiarity of ebbs is to create intermixtures; hence the combination of very singular ideas; people adored both Napoleon and liberty. We are making history here. These were the mirages of that period. Opinions traverse phases. Voltairian royalism, a quaint variety, had a no less singular sequel, Bonapartist liberalism. Other groups of minds were more serious. In that direction, they sounded principles, they attached themselves to the right. They grew enthusiastic for the absolute, they caught glimpses of infinite realizations; the absolute, by its very rigidity, urges spirits towards the sky and causes them to float in illimitable space. There is nothing like dogma for bringing forth dreams. And there is nothing like dreams for engendering the future. Utopia to-day, flesh and blood to-morrow. These advanced opinions had a double foundation. A beginning of mystery menaced "the established order of things," which was suspicious and underhand. A sign which was revolutionary to the highest degree. The second thoughts of power meet the second thoughts of the populace in the mine. The incubation of insurrections gives the retort to the premeditation of coups d'etat. There did not, as yet, exist in France any of those vast underlying organizations, like the German tugendbund and Italian Carbonarism; but here and there there were dark underminings, which were in process of throwing off shoots. The Cougourde was being outlined at Aix; there existed at Paris, among other affiliations of that nature, the society of the Friends of the A B C. What were these Friends of the A B C? A society which had for its object apparently the education of children, in reality the elevation of man. They declared themselves the Friends of the A B C,--the Abaisse,--the debased,--that is to say, the people. They wished to elevate the people. It was a pun which we should do wrong to smile at. Puns are sometimes serious factors in politics; witness the Castratus ad castra, which made a general of the army of Narses; witness: Barbari et Barberini; witness: Tu es Petrus et super hanc petram, etc., etc. The Friends of the A B C were not numerous, it was a secret society in the state of embryo, we might almost say a coterie, if coteries ended in heroes. They assembled in Paris in two localities, near the fish-market, in a wine-shop called Corinthe, of which more will be heard later on, and near the Pantheon in a little cafe in the Rue Saint-Michel called the Cafe Musain, now torn down; the first of these meeting-places was close to the workingman, the second to the students. The assemblies of the Friends of the A B C were usually held in a back room of the Cafe Musain. This hall, which was tolerably remote from the cafe, with which it was connected by an extremely long corridor, had two windows and an exit with a private stairway on the little Rue des Gres. There they smoked and drank, and gambled and laughed. There they conversed in very loud tones about everything, and in whispers of other things. An old map of France under the Republic was nailed to the wall,--a sign quite sufficient to excite the suspicion of a police agent. The greater part of the Friends of the A B C were students, who were on cordial terms with the working classes. Here are the names of the principal ones. They belong, in a certain measure, to history: Enjolras, Combeferre, Jean Prouvaire, Feuilly, Courfeyrac, Bahorel, Lesgle or Laigle, Joly, Grantaire. These young men formed a sort of family, through the bond of friendship. All, with the exception of Laigle, were from the South. [Illustration: Friends of the A B C 3b4-1-abc-friends] This was a remarkable group. It vanished in the invisible depths which lie behind us. At the point of this drama which we have now reached, it will not perhaps be superfluous to throw a ray of light upon these youthful heads, before the reader beholds them plunging into the shadow of a tragic adventure. Enjolras, whose name we have mentioned first of all,--the reader shall see why later on,--was an only son and wealthy. Enjolras was a charming young man, who was capable of being terrible. He was angelically handsome. He was a savage Antinous. One would have said, to see the pensive thoughtfulness of his glance, that he had already, in some previous state of existence, traversed the revolutionary apocalypse. He possessed the tradition of it as though he had been a witness. He was acquainted with all the minute details of the great affair. A pontifical and warlike nature, a singular thing in a youth. He was an officiating priest and a man of war; from the immediate point of view, a soldier of the democracy; above the contemporary movement, the priest of the ideal. His eyes were deep, his lids a little red, his lower lip was thick and easily became disdainful, his brow was lofty. A great deal of brow in a face is like a great deal of horizon in a view. Like certain young men at the beginning of this century and the end of the last, who became illustrious at an early age, he was endowed with excessive youth, and was as rosy as a young girl, although subject to hours of pallor. Already a man, he still seemed a child. His two and twenty years appeared to be but seventeen; he was serious, it did not seem as though he were aware there was on earth a thing called woman. He had but one passion--the right; but one thought--to overthrow the obstacle. On Mount Aventine, he would have been Gracchus; in the Convention, he would have been Saint-Just. He hardly saw the roses, he ignored spring, he did not hear the carolling of the birds; the bare throat of Evadne would have moved him no more than it would have moved Aristogeiton; he, like Harmodius, thought flowers good for nothing except to conceal the sword. He was severe in his enjoyments. He chastely dropped his eyes before everything which was not the Republic. He was the marble lover of liberty. His speech was harshly inspired, and had the thrill of a hymn. He was subject to unexpected outbursts of soul. Woe to the love-affair which should have risked itself beside him! If any grisette of the Place Cambrai or the Rue Saint-Jean-de-Beauvais, seeing that face of a youth escaped from college, that page's mien, those long, golden lashes, those blue eyes, that hair billowing in the wind, those rosy cheeks, those fresh lips, those exquisite teeth, had conceived an appetite for that complete aurora, and had tried her beauty on Enjolras, an astounding and terrible glance would have promptly shown her the abyss, and would have taught her not to confound the mighty cherub of Ezekiel with the gallant Cherubino of Beaumarchais. By the side of Enjolras, who represented the logic of the Revolution, Combeferre represented its philosophy. Between the logic of the Revolution and its philosophy there exists this difference--that its logic may end in war, whereas its philosophy can end only in peace. Combeferre complemented and rectified Enjolras. He was less lofty, but broader. He desired to pour into all minds the extensive principles of general ideas: he said: "Revolution, but civilization"; and around the mountain peak he opened out a vast view of the blue sky. The Revolution was more adapted for breathing with Combeferre than with Enjolras. Enjolras expressed its divine right, and Combeferre its natural right. The first attached himself to Robespierre; the second confined himself to Condorcet. Combeferre lived the life of all the rest of the world more than did Enjolras. If it had been granted to these two young men to attain to history, the one would have been the just, the other the wise man. Enjolras was the more virile, Combeferre the more humane. Homo and vir, that was the exact effect of their different shades. Combeferre was as gentle as Enjolras was severe, through natural whiteness. He loved the word citizen, but he preferred the word man. He would gladly have said: Hombre, like the Spanish. He read everything, went to the theatres, attended the courses of public lecturers, learned the polarization of light from Arago, grew enthusiastic over a lesson in which Geoffrey Sainte-Hilaire explained the double function of the external carotid artery, and the internal, the one which makes the face, and the one which makes the brain; he kept up with what was going on, followed science step by step, compared Saint-Simon with Fourier, deciphered hieroglyphics, broke the pebble which he found and reasoned on geology, drew from memory a silkworm moth, pointed out the faulty French in the Dictionary of the Academy, studied Puysegur and Deleuze, affirmed nothing, not even miracles; denied nothing, not even ghosts; turned over the files of the Moniteur, reflected. He declared that the future lies in the hand of the schoolmaster, and busied himself with educational questions. He desired that society should labor without relaxation at the elevation of the moral and intellectual level, at coining science, at putting ideas into circulation, at increasing the mind in youthful persons, and he feared lest the present poverty of method, the paltriness from a literary point of view confined to two or three centuries called classic, the tyrannical dogmatism of official pedants, scholastic prejudices and routines should end by converting our colleges into artificial oyster beds. He was learned, a purist, exact, a graduate of the Polytechnic, a close student, and at the same time, thoughtful "even to chimaeras," so his friends said. He believed in all dreams, railroads, the suppression of suffering in chirurgical operations, the fixing of images in the dark chamber, the electric telegraph, the steering of balloons. Moreover, he was not much alarmed by the citadels erected against the human mind in every direction, by superstition, despotism, and prejudice. He was one of those who think that science will eventually turn the position. Enjolras was a chief, Combeferre was a guide. One would have liked to fight under the one and to march behind the other. It is not that Combeferre was not capable of fighting, he did not refuse a hand-to-hand combat with the obstacle, and to attack it by main force and explosively; but it suited him better to bring the human race into accord with its destiny gradually, by means of education, the inculcation of axioms, the promulgation of positive laws; and, between two lights, his preference was rather for illumination than for conflagration. A conflagration can create an aurora, no doubt, but why not await the dawn? A volcano illuminates, but daybreak furnishes a still better illumination. Possibly, Combeferre preferred the whiteness of the beautiful to the blaze of the sublime. A light troubled by smoke, progress purchased at the expense of violence, only half satisfied this tender and serious spirit. The headlong precipitation of a people into the truth, a '93, terrified him; nevertheless, stagnation was still more repulsive to him, in it he detected putrefaction and death; on the whole, he preferred scum to miasma, and he preferred the torrent to the cesspool, and the falls of Niagara to the lake of Montfaucon. In short, he desired neither halt nor haste. While his tumultuous friends, captivated by the absolute, adored and invoked splendid revolutionary adventures, Combeferre was inclined to let progress, good progress, take its own course; he may have been cold, but he was pure; methodical, but irreproachable; phlegmatic, but imperturbable. Combeferre would have knelt and clasped his hands to enable the future to arrive in all its candor, and that nothing might disturb the immense and virtuous evolution of the races. The good must be innocent, he repeated incessantly. And in fact, if the grandeur of the Revolution consists in keeping the dazzling ideal fixedly in view, and of soaring thither athwart the lightnings, with fire and blood in its talons, the beauty of progress lies in being spotless; and there exists between Washington, who represents the one, and Danton, who incarnates the other, that difference which separates the swan from the angel with the wings of an eagle. Jean Prouvaire was a still softer shade than Combeferre. His name was Jehan, owing to that petty momentary freak which mingled with the powerful and profound movement whence sprang the very essential study of the Middle Ages. Jean Prouvaire was in love; he cultivated a pot of flowers, played on the flute, made verses, loved the people, pitied woman, wept over the child, confounded God and the future in the same confidence, and blamed the Revolution for having caused the fall of a royal head, that of Andre Chenier. His voice was ordinarily delicate, but suddenly grew manly. He was learned even to erudition, and almost an Orientalist. Above all, he was good; and, a very simple thing to those who know how nearly goodness borders on grandeur, in the matter of poetry, he preferred the immense. He knew Italian, Latin, Greek, and Hebrew; and these served him only for the perusal of four poets: Dante, Juvenal, AEschylus, and Isaiah. In French, he preferred Corneille to Racine, and Agrippa d'Aubigne to Corneille. He loved to saunter through fields of wild oats and corn-flowers, and busied himself with clouds nearly as much as with events. His mind had two attitudes, one on the side towards man, the other on that towards God; he studied or he contemplated. All day long, he buried himself in social questions, salary, capital, credit, marriage, religion, liberty of thought, education, penal servitude, poverty, association, property, production and sharing, the enigma of this lower world which covers the human ant-hill with darkness; and at night, he gazed upon the planets, those enormous beings. Like Enjolras, he was wealthy and an only son. He spoke softly, bowed his head, lowered his eyes, smiled with embarrassment, dressed badly, had an awkward air, blushed at a mere nothing, and was very timid. Yet he was intrepid. Feuilly was a workingman, a fan-maker, orphaned both of father and mother, who earned with difficulty three francs a day, and had but one thought, to deliver the world. He had one other preoccupation, to educate himself; he called this also, delivering himself. He had taught himself to read and write; everything that he knew, he had learned by himself. Feuilly had a generous heart. The range of his embrace was immense. This orphan had adopted the peoples. As his mother had failed him, he meditated on his country. He brooded with the profound divination of the man of the people, over what we now call the idea of the nationality, had learned history with the express object of raging with full knowledge of the case. In this club of young Utopians, occupied chiefly with France, he represented the outside world. He had for his specialty Greece, Poland, Hungary, Roumania, Italy. He uttered these names incessantly, appropriately and inappropriately, with the tenacity of right. The violations of Turkey on Greece and Thessaly, of Russia on Warsaw, of Austria on Venice, enraged him. Above all things, the great violence of 1772 aroused him. There is no more sovereign eloquence than the true in indignation; he was eloquent with that eloquence. He was inexhaustible on that infamous date of 1772, on the subject of that noble and valiant race suppressed by treason, and that three-sided crime, on that monstrous ambush, the prototype and pattern of all those horrible suppressions of states, which, since that time, have struck many a noble nation, and have annulled their certificate of birth, so to speak. All contemporary social crimes have their origin in the partition of Poland. The partition of Poland is a theorem of which all present political outrages are the corollaries. There has not been a despot, nor a traitor for nearly a century back, who has not signed, approved, counter-signed, and copied, ne variatur, the partition of Poland. When the record of modern treasons was examined, that was the first thing which made its appearance. The congress of Vienna consulted that crime before consummating its own. 1772 sounded the onset; 1815 was the death of the game. Such was Feuilly's habitual text. This poor workingman had constituted himself the tutor of Justice, and she recompensed him by rendering him great. The fact is, that there is eternity in right. Warsaw can no more be Tartar than Venice can be Teuton. Kings lose their pains and their honor in the attempt to make them so. Sooner or later, the submerged part floats to the surface and reappears. Greece becomes Greece again, Italy is once more Italy. The protest of right against the deed persists forever. The theft of a nation cannot be allowed by prescription. These lofty deeds of rascality have no future. A nation cannot have its mark extracted like a pocket handkerchief. Courfeyrac had a father who was called M. de Courfeyrac. One of the false ideas of the bourgeoisie under the Restoration as regards aristocracy and the nobility was to believe in the particle. The particle, as every one knows, possesses no significance. But the bourgeois of the epoch of la Minerve estimated so highly that poor de, that they thought themselves bound to abdicate it. M. de Chauvelin had himself called M. Chauvelin; M. de Caumartin, M. Caumartin; M. de Constant de Robecque, Benjamin Constant; M. de Lafayette, M. Lafayette. Courfeyrac had not wished to remain behind the rest, and called himself plain Courfeyrac. We might almost, so far as Courfeyrac is concerned, stop here, and confine ourselves to saying with regard to what remains: "For Courfeyrac, see Tholomyes." Courfeyrac had, in fact, that animation of youth which may be called the beaute du diable of the mind. Later on, this disappears like the playfulness of the kitten, and all this grace ends, with the bourgeois, on two legs, and with the tomcat, on four paws. This sort of wit is transmitted from generation to generation of the successive levies of youth who traverse the schools, who pass it from hand to hand, quasi cursores, and is almost always exactly the same; so that, as we have just pointed out, any one who had listened to Courfeyrac in 1828 would have thought he heard Tholomyes in 1817. Only, Courfeyrac was an honorable fellow. Beneath the apparent similarities of the exterior mind, the difference between him and Tholomyes was very great. The latent man which existed in the two was totally different in the first from what it was in the second. There was in Tholomyes a district attorney, and in Courfeyrac a paladin. Enjolras was the chief, Combeferre was the guide, Courfeyrac was the centre. The others gave more light, he shed more warmth; the truth is, that he possessed all the qualities of a centre, roundness and radiance. Bahorel had figured in the bloody tumult of June, 1822, on the occasion of the burial of young Lallemand. Bahorel was a good-natured mortal, who kept bad company, brave, a spendthrift, prodigal, and to the verge of generosity, talkative, and at times eloquent, bold to the verge of effrontery; the best fellow possible; he had daring waistcoats, and scarlet opinions; a wholesale blusterer, that is to say, loving nothing so much as a quarrel, unless it were an uprising; and nothing so much as an uprising, unless it were a revolution; always ready to smash a window-pane, then to tear up the pavement, then to demolish a government, just to see the effect of it; a student in his eleventh year. He had nosed about the law, but did not practise it. He had taken for his device: "Never a lawyer," and for his armorial bearings a nightstand in which was visible a square cap. Every time that he passed the law-school, which rarely happened, he buttoned up his frock-coat,--the paletot had not yet been invented,--and took hygienic precautions. Of the school porter he said: "What a fine old man!" and of the dean, M. Delvincourt: "What a monument!" In his lectures he espied subjects for ballads, and in his professors occasions for caricature. He wasted a tolerably large allowance, something like three thousand francs a year, in doing nothing. He had peasant parents whom he had contrived to imbue with respect for their son. He said of them: "They are peasants and not bourgeois; that is the reason they are intelligent." Bahorel, a man of caprice, was scattered over numerous cafes; the others had habits, he had none. He sauntered. To stray is human. To saunter is Parisian. In reality, he had a penetrating mind and was more of a thinker than appeared to view. He served as a connecting link between the Friends of the A B C and other still unorganized groups, which were destined to take form later on. In this conclave of young heads, there was one bald member. The Marquis d'Avaray, whom Louis XVIII. made a duke for having assisted him to enter a hackney-coach on the day when he emigrated, was wont to relate, that in 1814, on his return to France, as the King was disembarking at Calais, a man handed him a petition. "What is your request?" said the King. "Sire, a post-office." "What is your name?" "L'Aigle." The King frowned, glanced at the signature of the petition and beheld the name written thus: LESGLE. This non-Bonoparte orthography touched the King and he began to smile. "Sire," resumed the man with the petition, "I had for ancestor a keeper of the hounds surnamed Lesgueules. This surname furnished my name. I am called Lesgueules, by contraction Lesgle, and by corruption l'Aigle." This caused the King to smile broadly. Later on he gave the man the posting office of Meaux, either intentionally or accidentally. The bald member of the group was the son of this Lesgle, or Legle, and he signed himself, Legle [de Meaux]. As an abbreviation, his companions called him Bossuet. Bossuet was a gay but unlucky fellow. His specialty was not to succeed in anything. As an offset, he laughed at everything. At five and twenty he was bald. His father had ended by owning a house and a field; but he, the son, had made haste to lose that house and field in a bad speculation. He had nothing left. He possessed knowledge and wit, but all he did miscarried. Everything failed him and everybody deceived him; what he was building tumbled down on top of him. If he were splitting wood, he cut off a finger. If he had a mistress, he speedily discovered that he had a friend also. Some misfortune happened to him every moment, hence his joviality. He said: "I live under falling tiles." He was not easily astonished, because, for him, an accident was what he had foreseen, he took his bad luck serenely, and smiled at the teasing of fate, like a person who is listening to pleasantries. He was poor, but his fund of good humor was inexhaustible. He soon reached his last sou, never his last burst of laughter. When adversity entered his doors, he saluted this old acquaintance cordially, he tapped all catastrophes on the stomach; he was familiar with fatality to the point of calling it by its nickname: "Good day, Guignon," he said to it. These persecutions of fate had rendered him inventive. He was full of resources. He had no money, but he found means, when it seemed good to him, to indulge in "unbridled extravagance." One night, he went so far as to eat a "hundred francs" in a supper with a wench, which inspired him to make this memorable remark in the midst of the orgy: "Pull off my boots, you five-louis jade." Bossuet was slowly directing his steps towards the profession of a lawyer; he was pursuing his law studies after the manner of Bahorel. Bossuet had not much domicile, sometimes none at all. He lodged now with one, now with another, most often with Joly. Joly was studying medicine. He was two years younger than Bossuet. Joly was the "malade imaginaire" junior. What he had won in medicine was to be more of an invalid than a doctor. At three and twenty he thought himself a valetudinarian, and passed his life in inspecting his tongue in the mirror. He affirmed that man becomes magnetic like a needle, and in his chamber he placed his bed with its head to the south, and the foot to the north, so that, at night, the circulation of his blood might not be interfered with by the great electric current of the globe. During thunder storms, he felt his pulse. Otherwise, he was the gayest of them all. All these young, maniacal, puny, merry incoherences lived in harmony together, and the result was an eccentric and agreeable being whom his comrades, who were prodigal of winged consonants, called Jolllly. "You may fly away on the four L's," Jean Prouvaire said to him.[23] Joly had a trick of touching his nose with the tip of his cane, which is an indication of a sagacious mind. All these young men who differed so greatly, and who, on the whole, can only be discussed seriously, held the same religion: Progress. All were the direct sons of the French Revolution. The most giddy of them became solemn when they pronounced that date: '89. Their fathers in the flesh had been, either royalists, doctrinaires, it matters not what; this confusion anterior to themselves, who were young, did not concern them at all; the pure blood of principle ran in their veins. They attached themselves, without intermediate shades, to incorruptible right and absolute duty. Affiliated and initiated, they sketched out the ideal underground. Among all these glowing hearts and thoroughly convinced minds, there was one sceptic. How came he there? By juxtaposition. This sceptic's name was Grantaire, and he was in the habit of signing himself with this rebus: R. Grantaire was a man who took good care not to believe in anything. Moreover, he was one of the students who had learned the most during their course at Paris; he knew that the best coffee was to be had at the Cafe Lemblin, and the best billiards at the Cafe Voltaire, that good cakes and lasses were to be found at the Ermitage, on the Boulevard du Maine, spatchcocked chickens at Mother Sauget's, excellent matelotes at the Barriere de la Cunette, and a certain thin white wine at the Barriere du Com pat. He knew the best place for everything; in addition, boxing and foot-fencing and some dances; and he was a thorough single-stick player. He was a tremendous drinker to boot. He was inordinately homely: the prettiest boot-stitcher of that day, Irma Boissy, enraged with his homeliness, pronounced sentence on him as follows: "Grantaire is impossible"; but Grantaire's fatuity was not to be disconcerted. He stared tenderly and fixedly at all women, with the air of saying to them all: "If I only chose!" and of trying to make his comrades believe that he was in general demand. All those words: rights of the people, rights of man, the social contract, the French Revolution, the Republic, democracy, humanity, civilization, religion, progress, came very near to signifying nothing whatever to Grantaire. He smiled at them. Scepticism, that caries of the intelligence, had not left him a single whole idea. He lived with irony. This was his axiom: "There is but one certainty, my full glass." He sneered at all devotion in all parties, the father as well as the brother, Robespierre junior as well as Loizerolles. "They are greatly in advance to be dead," he exclaimed. He said of the crucifix: "There is a gibbet which has been a success." A rover, a gambler, a libertine, often drunk, he displeased these young dreamers by humming incessantly: "J'aimons les filles, et j'aimons le bon vin." Air: Vive Henri IV. However, this sceptic had one fanaticism. This fanaticism was neither a dogma, nor an idea, nor an art, nor a science; it was a man: Enjolras. Grantaire admired, loved, and venerated Enjolras. To whom did this anarchical scoffer unite himself in this phalanx of absolute minds? To the most absolute. In what manner had Enjolras subjugated him? By his ideas? No. By his character. A phenomenon which is often observable. A sceptic who adheres to a believer is as simple as the law of complementary colors. That which we lack attracts us. No one loves the light like the blind man. The dwarf adores the drum-major. The toad always has his eyes fixed on heaven. Why? In order to watch the bird in its flight. Grantaire, in whom writhed doubt, loved to watch faith soar in Enjolras. He had need of Enjolras. That chaste, healthy, firm, upright, hard, candid nature charmed him, without his being clearly aware of it, and without the idea of explaining it to himself having occurred to him. He admired his opposite by instinct. His soft, yielding, dislocated, sickly, shapeless ideas attached themselves to Enjolras as to a spinal column. His moral backbone leaned on that firmness. Grantaire in the presence of Enjolras became some one once more. He was, himself, moreover, composed of two elements, which were, to all appearance, incompatible. He was ironical and cordial. His indifference loved. His mind could get along without belief, but his heart could not get along without friendship. A profound contradiction; for an affection is a conviction. His nature was thus constituted. There are men who seem to be born to be the reverse, the obverse, the wrong side. They are Pollux, Patrocles, Nisus, Eudamidas, Ephestion, Pechmeja. They only exist on condition that they are backed up with another man; their name is a sequel, and is only written preceded by the conjunction and; and their existence is not their own; it is the other side of an existence which is not theirs. Grantaire was one of these men. He was the obverse of Enjolras. One might almost say that affinities begin with the letters of the alphabet. In the series O and P are inseparable. You can, at will, pronounce O and P or Orestes and Pylades. Grantaire, Enjolras' true satellite, inhabited this circle of young men; he lived there, he took no pleasure anywhere but there; he followed them everywhere. His joy was to see these forms go and come through the fumes of wine. They tolerated him on account of his good humor. Enjolras, the believer, disdained this sceptic; and, a sober man himself, scorned this drunkard. He accorded him a little lofty pity. Grantaire was an unaccepted Pylades. Always harshly treated by Enjolras, roughly repulsed, rejected yet ever returning to the charge, he said of Enjolras: "What fine marble!" CHAPTER II--BLONDEAU'S FUNERAL ORATION BY BOSSUET On a certain afternoon, which had, as will be seen hereafter, some coincidence with the events heretofore related, Laigle de Meaux was to be seen leaning in a sensual manner against the doorpost of the Cafe Musain. He had the air of a caryatid on a vacation; he carried nothing but his revery, however. He was staring at the Place Sain

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